Shot on the tarmac, we positioned the subject with the sun behind him (camera right) as our kicker. Our key light was a Flashpoint xPLOR 400 Pro (Godox AD 400 Pro) with a large Glow ez-Lock collapsible beauty dish. The shadow side of the plane was very dark so we filled it in with a Flashpoint eVOLV 200 (Godox 200 AD).